Let's stick just with the #1 songs on the Billboard Hot 100, to make sure we're talking about songs that were popular. Also, here are the criteria for counting a song as boy-crazy, as above a mere love song:
- Expresses song kind of yearning for the guy (whether unrequited, celebration of current love, or a torch song, doesn't matter).
- Singer can't help the way she feels: it's involuntary, won't go away even if she wishes it could, and in general lacks control over her feelings. This must hold for both the lyrics as well as the emotional expression in her voice.
- Some sense that if she doesn't get him, she'll explode or wither away.
They don't start until about 1960, about the time the crime rate started climbing. And clearly 1989 was still chock full of these songs, and had the last of the great ones -- "Like a Prayer." By going to the bottom of the previous link, you can navigate around the #1s from various years. Just eye-balling it, I see a sharp drop-off even beginning in 1990. Remembering that social trust levels fall before the crime rate falls, it looks like boy-craziness is more driven by how much girls trust boys, and less by the crime rate per se, which peaked later in 1992 (except to the extent that these are closely related). Still, that's just from eye-balling; I don't know a good number of the songs, so I'd want to get more quantitative before settling on that conclusion.
There's "I Will Always Love You" in 1992, I guess. No later than 1997 the counter-revolution against boy-craziness had triumphed, as shown by the chart-topping "Wannabe" (that annoying song by the Spice Girls). It's an anthem for emotionally in-control, cold-blooded, pushy, laundry-list-scribbling harpies. That's something else to bear in mind when we look at the trend -- not just adding up all the boy-crazy songs, but subtracting points for ewww-boys-yucky-shoo songs like that one, or vain and emotionally dead ones like "London Bridge" by Fergie.
In 1999, we got "...Baby One More Time," not a very danceable song like the earlier ones were, but still something that could've been a late '80s head-over-heels radio hit. That looks like the last one. "Genie in a Bottle" by Christina Aguilera falls short because it's too much in the Spice Girls direction of, well, bottling up her emotions and issuing a vague list of do's and don'ts to potential suitors. Beyonce's song "Crazy in Love" looks like one on paper, but it doesn't make the cut because she's faking it on the vocals; she doesn't sound hopeless. Same with "Promiscuous" by Nelly Furtado, whose voice sounds more mercenary. And Katy Perry's voice is hollow no matter what she's singing about.
While it's clear that there was a die-off around the early '90s or just after, what about isolated cases since Britney Spears' 1999 hit? Some of those didn't ring a bell, and I don't feel like YouTubing them all right now. Again, just looking at #1s on the Hot 100, to make the same comparison across time.
Feels like, I'm standing in a timeless dream
ReplyDeleteOf light mists, of pale amber rose
Feels like, I'm lost in a deep cloud of heavenly scent
Touching, discovering you
Those days, of warm rains come rushing back to me
Miles of windless, summer night air
Secret moments, shared in the heat of the afternoon
Out of the stillness, soft spoken words
I love you, always forever
Near and far, closer together
Everywhere, I will be with you
Everyday, I will adore you
I love you, always forever
Near and far, closer together
Everywhere, I will be with you
Everyday, I will adore you
"I love you always forever" Donna Lewis
This was 1996, might not have been chart topping, but I distinctly remember how gooey it was to me. Maybe a sign that it was out of place?
Don't know if they were no. 1 but they were popular in the 90s: Natalie Imbruglia "Torn" and forget the singer's name who did "I touch myself."
ReplyDeleteOn the other hand the decade did produce a ton of ingrate-bitch songs like "Where have all the cowboys gone," a no. 1 hit for 1992 iirc.
Wikipedia says that "Torn" would've been a #1 song if Billboard's rules allowed singles that had not been released in separate physical form, i.e. only sent from the album to airplay.
ReplyDelete"I Touch Myself" (1990) was apparently written by the same guy who penned "Like a Virgin," "Eternal Flame," and "I'll Stand By You." He had a good run.
Diamonds and Rust by Joan Baez is one of the best songs I can think of written by a woman about a man, in this case Bob Dylan. She wasn't a boy crazy teenager however, but you can tell she really loves him. Also, Etta James's I'd Rather Go Blind and Carly Simon's Anticipation are sensual songs written and sung by women. Linda Ronstadt and Rita Coolidge also had some good ones.
ReplyDeleteI agree that songs written and sung by women nowadays seem emotionally lacking. Same could be said about men, though.
ReplyDeleteCarol King was another woman who could write a song that conveyed real feeling.
ReplyDeleteEtta James did not write I'd Rather Go Blind, Ellington Jordan did. Carly Simon did write Anticipation about her state of mind before a date with Cat Stevens.
ReplyDelete