About a year ago, I noted that MeToo was winding down during the final year of the vulnerable emo phase of the excitement cycle. The refractory state that people are in during the vulnerable phase makes them hyper-sensitive to unwanted social contact, and primes them to resonate with the theme of unwanted attention or contact, or with victimization in general.
The hysterics were trying to MeToo Bernie at the very end of 2018 and beginning of 2019 -- not by accusing him directly of sexual assault, but by airing accusations against former staffers and aides of his, insinuating that the leader had a culture of sexual harassment and violence in his political operation. Then they went after Biden for being a handsy creeper who had a pattern of unwanted sexual touching toward female staffers.
Neither of those attacks stuck, which showed that the hysteria was dying down, but not over with -- after all, the mainstream press spent multiple news cycles stoking the theme of rape.
By now, as we enter the warm-up phase of the excitement cycle, the hysteria is over with altogether, and before long a full-on backlash will erupt. The latest round of attacks relating to the battle of the sexes was Lyin' Liz lying that Bernie said he didn't think a woman could be elected president. There is not even a tangential aspect of rape, physical harassment, touching, trauma, invasion of personal space, or any related part of the overall theme.
The lying press, including half or more of the left, have tried to smear Bernie indirectly by pointing to politically incorrect statements made by Joe Rogan, who has only said positive things about Bernie and Tulsi during this electoral season, and whose favorable comments the Bernie campaign put into a video clip. But they didn't involve the theme of rape or any physical harm by men against women.
If anything, Rogan's "problematic" statement was anti-rape in theme, as he said he didn't want men dressed as women to fight in the mixed martial arts ring against actual women. Anyone claiming that cross-dressing men should have the right to pummel a woman's skull in, against her desire (she would only want to fight other women), are clearly the women-haters and rape apologists.
But that doesn't matter, because identity politics is for elites only -- and culturally liberal elites have decided that tranny degeneracy, up to the point of allowing someone with male hormones and muscle to beat the living shit out of a woman, are to be sanctified by woke norms, and that the collective protection of women from violent men must be sacrificed if necessary.
In any case, neither Rogan himself nor his legions of listeners were accused of physical harassment or sexual violence. They were smeared with generic accusations of toxic masculinity, sexism, problematic beliefs about women, etc.
By this point in the excitement cycle, the feminazis have realized that the theme of rape does not resonate anymore with a morally panicked audience. So they have to fall back on all-purpose accusations that someone does not adhere to woke gender norms. OK, BFD then. They can impotently hector us all they want at this point, but it won't be an outright witch hunt that is feeding and being fed by a morally panicked mob.
This reflects the normalization of our energy levels -- they are no longer plunged into the refractory state, but are returning to baseline, albeit not rocketing off onto another spike just yet. We are only entering the warm-up phase now, not the manic phase, which will hit during the late 2020s. Not being hyper-sensitive to unwanted contact anymore, we aren't marks for appeals to protection from unwanted violation of physical privacy. If you don't want to be touched, reject the person or go somewhere else or whatever -- it's not going to overload your nervous system and be the end of your life.
In this new "back to baseline" state, we don't feel the need for a savior to swoop in and rescue us from all the would-be rapists out there. This will generalize into no longer feeling the need for saviors in general to deliver us from would-be victimizers -- and that will end the leftist bubble since roughly 2015, as well as the Trumpist bubble of the same time. But that's a topic for a separate post.
(In the meantime, see here for an analysis of these leftist "savior for the victims" bubbles occurring during the vulnerable phase of the cycle, and then evaporating after that phase is done with.)
January 28, 2020
January 27, 2020
Updates on transition out of vulnerable phase of 15-year cultural excitement cycle
Maybe it's just around here, but public spaces have been absolutely DEAD since sometime between Christmas and New Year's, or a solid month already. Regardless of which type of public space, typical demographic that uses it, time of day, weather, or anything else. I've never seen everywhere so deserted all at once and for weeks on end. And the handful of people who are there are making for a very low-energy atmosphere.
At first I thought this might mean the vulnerable emo phase is merely extending into the first calendar year of the next phase, the restless warm-up phase when people come out of their cocoons. Certainly the timing doesn't have to get right down to the changing of the calendar year. So maybe this is just a final bottoming out of the "leave me alone" attitude that has grown steadily since about 2015.
However, this seems like a qualitatively different state -- not just a higher quantitative degree of the kind of emo, withdrawn, refractory behavior of the previous 5 years. It's like people have ended the refractory phase, but in order to fully come back out into the open with a new pro-social attitude, they need to go into a brief chrysalis and then emerge after a metamorphosis. Over-sensitive juvenile emos, no more -- now, socially open adolescent or adult types.
This kind of social cocoon is not to fend off stimuli that might overload the nervous system of someone in a refractory state. It is to protect them while they undergo a metamorphosis, from an immature to mature form. Why can't they be disturbed, why do they require seemingly total isolation for at least weeks and perhaps months on end?
Maybe there's so much re-wiring of their mental and physical programming, that they simply can't function well in normal social situations, which would require a stable set of programming, not one in major flux. Plus, a torrent of social stimuli would interrupt that re-wiring process by making their minds and bodies pay attention to incoming external stimuli, instead of devoting all resources to the internal re-wiring process.
It's like closing a store to the public for days, weeks, or months while it's being re-modeled or re-developed. You don't merely allow fewer-than-usual customers inside -- if the plumbing, wiring, HVAC, etc., are being torn up and re-built, you can't have any customers at all putting demands on those systems. They'll have to come back in awhile, when all the changes have been made and the systems are back online in new-and-improved form.
Unfortunately I can't reflect on what happened the last time the cycle changed from vulnerable to warm-up phase. I was living in Barcelona for the first months of 2005, and I was not part of the usual social climate there, being an ex-pat who'd been there less than a year. I did, however, notice major changes by the summer of 2005, when I was back in America, compared to the early 2000s, and that shift only became more pronounced throughout the rest of the late 2000s.
So perhaps this chrysalis stage will last through the winter and/or spring, and be finally done away with when the warm weather returns with the mating season? We'll have to wait and see. Hopefully it's sooner rather than later.
I'm also not clear on whether this affects the mass-market pop culture that so closely reflects the changes in the excitement cycle. I'd have to look at the first months of 2005 for the Billboard charts or something -- not just the #1's (which Wikipedia does have), but the new entries into the Hot 100 (the #1's have generally been out for awhile by the time they hit the top). And Billboard doesn't have that info on their site.
I have noticed that the radio has remained heavily emo in tone -- almost more so than last year. That's true for stations that play more upbeat music, and from earlier decades -- I've never heard so much late '80s soft rock on the stations that usually play happy manic-phase music. Contempo stations are relying on the emo tunes of the past 5 years still, rather than trying to hype up the brand new stuff, whatever it is.
You'd think after the new year, they'd want to make a clean break. But they're doubling down on emo for the time being. If their audiences have entered a final chrysalis, it would only make sense for the radio stations serving them to do so as well.
The first clear test will be Dua Lipa's upcoming single "Physical," to be released on January 31. The restless warm-up phase is characterized by dance crazes, and a disco-oriented social-cultural atmosphere. There was proto-disco in the early '60s, original disco in the late '70s, neo-disco in the early '90s, neo-neo-disco during the late 2000s, and soon neo-neo-neo-disco in the early 2020s.
There were a couple initial moves in this direction late last year with "Don't Start Now" by Dua Lipa and "Say So" by Doja Cat (currently climbing the Hot 100). But these aren't such a clear break with the mellow, dreamy, emo phase and its start-and-stop rhythms for dance music. We need to hear something like "Hung Up" by Madonna, which didn't come out until October of the first year of the warm-up phase. It could always come earlier this time around -- but you'll know it when you hear it. And so far, we haven't heard it.
Dua Lipa modeled the cover for her upcoming single on the cover of Madonna's 2005 album that "Hung Up" comes from, so let's hope there's musical similarity as well, and we can kick off the neo-neo-neo-disco era already.
At first I thought this might mean the vulnerable emo phase is merely extending into the first calendar year of the next phase, the restless warm-up phase when people come out of their cocoons. Certainly the timing doesn't have to get right down to the changing of the calendar year. So maybe this is just a final bottoming out of the "leave me alone" attitude that has grown steadily since about 2015.
However, this seems like a qualitatively different state -- not just a higher quantitative degree of the kind of emo, withdrawn, refractory behavior of the previous 5 years. It's like people have ended the refractory phase, but in order to fully come back out into the open with a new pro-social attitude, they need to go into a brief chrysalis and then emerge after a metamorphosis. Over-sensitive juvenile emos, no more -- now, socially open adolescent or adult types.
This kind of social cocoon is not to fend off stimuli that might overload the nervous system of someone in a refractory state. It is to protect them while they undergo a metamorphosis, from an immature to mature form. Why can't they be disturbed, why do they require seemingly total isolation for at least weeks and perhaps months on end?
Maybe there's so much re-wiring of their mental and physical programming, that they simply can't function well in normal social situations, which would require a stable set of programming, not one in major flux. Plus, a torrent of social stimuli would interrupt that re-wiring process by making their minds and bodies pay attention to incoming external stimuli, instead of devoting all resources to the internal re-wiring process.
It's like closing a store to the public for days, weeks, or months while it's being re-modeled or re-developed. You don't merely allow fewer-than-usual customers inside -- if the plumbing, wiring, HVAC, etc., are being torn up and re-built, you can't have any customers at all putting demands on those systems. They'll have to come back in awhile, when all the changes have been made and the systems are back online in new-and-improved form.
Unfortunately I can't reflect on what happened the last time the cycle changed from vulnerable to warm-up phase. I was living in Barcelona for the first months of 2005, and I was not part of the usual social climate there, being an ex-pat who'd been there less than a year. I did, however, notice major changes by the summer of 2005, when I was back in America, compared to the early 2000s, and that shift only became more pronounced throughout the rest of the late 2000s.
So perhaps this chrysalis stage will last through the winter and/or spring, and be finally done away with when the warm weather returns with the mating season? We'll have to wait and see. Hopefully it's sooner rather than later.
I'm also not clear on whether this affects the mass-market pop culture that so closely reflects the changes in the excitement cycle. I'd have to look at the first months of 2005 for the Billboard charts or something -- not just the #1's (which Wikipedia does have), but the new entries into the Hot 100 (the #1's have generally been out for awhile by the time they hit the top). And Billboard doesn't have that info on their site.
I have noticed that the radio has remained heavily emo in tone -- almost more so than last year. That's true for stations that play more upbeat music, and from earlier decades -- I've never heard so much late '80s soft rock on the stations that usually play happy manic-phase music. Contempo stations are relying on the emo tunes of the past 5 years still, rather than trying to hype up the brand new stuff, whatever it is.
You'd think after the new year, they'd want to make a clean break. But they're doubling down on emo for the time being. If their audiences have entered a final chrysalis, it would only make sense for the radio stations serving them to do so as well.
The first clear test will be Dua Lipa's upcoming single "Physical," to be released on January 31. The restless warm-up phase is characterized by dance crazes, and a disco-oriented social-cultural atmosphere. There was proto-disco in the early '60s, original disco in the late '70s, neo-disco in the early '90s, neo-neo-disco during the late 2000s, and soon neo-neo-neo-disco in the early 2020s.
There were a couple initial moves in this direction late last year with "Don't Start Now" by Dua Lipa and "Say So" by Doja Cat (currently climbing the Hot 100). But these aren't such a clear break with the mellow, dreamy, emo phase and its start-and-stop rhythms for dance music. We need to hear something like "Hung Up" by Madonna, which didn't come out until October of the first year of the warm-up phase. It could always come earlier this time around -- but you'll know it when you hear it. And so far, we haven't heard it.
Dua Lipa modeled the cover for her upcoming single on the cover of Madonna's 2005 album that "Hung Up" comes from, so let's hope there's musical similarity as well, and we can kick off the neo-neo-neo-disco era already.
January 23, 2020
Aimee Terese's Tom Petty-inspired medley
Just a little serenade below Aimee Terese's barred window in Twitter jail, from tribute band Tom Petty and the Hot-Takers. (Who better for inspiring earnest reply-guy melodies?) We'll find some way to break you out, but to keep our anti-woke left princess in good spirits in the meantime...
Only had the patience to do one full song, the rest are passages assembled together in a medley.
[Tune]
Well she was an Australian girl
Sick of Pocahontases
She couldn't help noticing there
Was a populist desire, outside the left
After all there was the groypers' world
With alienation to undo
Yeah if she got crucified trying, she
Had one alliance she was gonna seek
Logged on
Hellsite
Have a Red Bull baby
Gonna post all night (gonna post all night)
She was an Australian girl
A silent Super Tuesday night
She sat alone with her laptop screen
Yeah she could see the votes roll in
Out on 538: Joe's wall remained unbreached
And for one desperate moment there
She crept back in their memories
God it's so black-pilled, when Soc-Dem is so close
And still so far out of reach
Logged on
Hellsite
Have a Red Bull baby
Gonna post all night (gonna post all night)
She was an Australian girl
[Tune]
We don't
Have
To simp for the DSA
Don't have to simp
For the DSA
No we don't
Have
To simp for the DSA
Don't have to simp
For the DSA
[Tune]
Realigning is the hardest part
Every day you mute one more 'tard
They deal in bad faith
They deal in bleeding hearts
Realigning is the hardest part
[Tune]
Now all the vampires at the anarchist rally
Move left down Weird Twitter Boulevard
And all the radlibs are lurking in the group chat
And the good posts are flagged by woketards
Now I'm re-, replyin'
Yeah I'm re-, replyin'
Replyin', now I'm replyin', now I'm
Replyin', now I'm replyin'
I wanna sail down Sydney Harbour
I want her avi at half-mast to fly
I'm gonna reply over and over
Gonna log off this site for awhile
Now I'm re-, replyin'
Yeah I'm re-, replyin'
Only had the patience to do one full song, the rest are passages assembled together in a medley.
* * *
[Tune]
Well she was an Australian girl
Sick of Pocahontases
She couldn't help noticing there
Was a populist desire, outside the left
After all there was the groypers' world
With alienation to undo
Yeah if she got crucified trying, she
Had one alliance she was gonna seek
Logged on
Hellsite
Have a Red Bull baby
Gonna post all night (gonna post all night)
She was an Australian girl
A silent Super Tuesday night
She sat alone with her laptop screen
Yeah she could see the votes roll in
Out on 538: Joe's wall remained unbreached
And for one desperate moment there
She crept back in their memories
God it's so black-pilled, when Soc-Dem is so close
And still so far out of reach
Logged on
Hellsite
Have a Red Bull baby
Gonna post all night (gonna post all night)
She was an Australian girl
* * *
[Tune]
We don't
Have
To simp for the DSA
Don't have to simp
For the DSA
No we don't
Have
To simp for the DSA
Don't have to simp
For the DSA
* * *
[Tune]
Realigning is the hardest part
Every day you mute one more 'tard
They deal in bad faith
They deal in bleeding hearts
Realigning is the hardest part
* * *
[Tune]
Now all the vampires at the anarchist rally
Move left down Weird Twitter Boulevard
And all the radlibs are lurking in the group chat
And the good posts are flagged by woketards
Now I'm re-, replyin'
Yeah I'm re-, replyin'
Replyin', now I'm replyin', now I'm
Replyin', now I'm replyin'
I wanna sail down Sydney Harbour
I want her avi at half-mast to fly
I'm gonna reply over and over
Gonna log off this site for awhile
Now I'm re-, replyin'
Yeah I'm re-, replyin'
January 22, 2020
Manic Pixie Dream Girls are corporeal ass women, not cerebral boob women
We'll soon see a return of the Manic Pixie Dream Girl type, now that we're into the restless warm-up phase of the 15-year cultural excitement cycle, since that is the phase during which they appear.
That post looked at their character traits, and a pair of follow-up posts (here and here) showed that these girls are overwhelmingly born during the manic phase of the excitement cycle. They imprinted on a social mood that was carefree and invincible -- just what she needs to take the initiative and coax a wary love interest out of his vulnerable-phase cocoon.
Having covered their personality type, we continue on to their physical type. Height plays no role, ranging from 5' shorties to the 5'8 tall-for-a-girl end, although no one in the model-tall range. Not surprising: guys do not care how tall a girl is, one way or another. Still noteworthy, though: "taking the initiative" here does not mean being a tall amazon aggressor.
They have hourglass waist-to-hip ratios, which is not too surprising since that's what guys prefer in general. But it is worth noting that they are not relatively slim-hipped women with higher testosterone -- that's not the source of their taking the initiative with the guy. They have a feminine, fertile shape, reinforcing their role more as nurturers -- coaxing the guy out of his shell to heal him of his emo sickness, not strutting over to seduce him like an aggressor.
And to return to a perennial theme here, are they boob women or ass women? They are not busty: most have a B cup, with somewhat more A than C cups. Not being a boob man, I'm blind to them, and this was all news to me. I had no idea Natalie Portman was an A cup (guess she didn't get that particular Ashkenazi gene).
The only D cup is Katy Perry, but that's not such an exception anyway. First, she has a thick lower body. But to the point, I listed her because of "Simple," and in that 2005 video they dressed her in a baggy shirt so you can't tell what they're like even if you're paying attention. Their intuition told them it just wouldn't be right to have that persona coming from a girl with giant jugs.
Why not? Perhaps the sexuality would be too forward (literally) and threatening to a guy who is still wary about leaving his refractory-phase cocoon. Ass men would have no trouble ignoring them, but boob men would. The guy needs to focus on her facial expressions without distraction, to get back into the hang of back-and-forth social interactions with the opposite sex.
An ongoing theory here is that boob women and men are more cerebral, while ass women and men are more corporeal (see here for a recent post looking at political junkies being mostly busty women and boob men). So there's another reason she can't be the busty type -- she would likely be more cerebral, and that goes against the MPDG type.
She must be corporeal -- a touchy-feely free spirit in tune with nature and physical activities (like dancing), whose plans to get the guy out of his funk do not involve over-analyzing things, devising Rube Goldberg contraptions, etc. "Let your mind go, and your body will follow" (SanDeE from L.A. Story). Guys coming out of a refractory phase need to be rehabilitated physically, not just mentally, and corporeal girls will be best able to perform this role.
That means they're mostly ass women, by which I mean the gestalt fertility zone -- belly, hips, ass, and thighs, as distinguished from the mammary zone. That doesn't mean they have Kim Kardashian-sized bubble butts, just that they're on the thick side below the waist (including indie darlings like Zooey Deschanel). And some are slender above and below. But if they have a tendency toward one zone over the other, it's definitely the fertility zone. In performances or pictures, they play up their lower half, not their chest.
In fact, what first tipped me off to this was the photo from an album cover by Au Revoir Simone, who I mentioned before (click for a larger view):
That picture doesn't show it, but they're not busty as well, nor do they attempt to draw attention to their chests. In their videos for that album, they're comfortable showing off their lower bodies and engaging in corporeal activities -- carefree dancing, playing hopscotch, bouncing their thighs and slapping their knees to the rhythm while seated on a bench, and the like.
I highlight their example because it goes against the overall stereotype of their upper-middle-class indie-world social scene. You'd think they'd be cerebral, dismissive of dancing, and averse to showcasing the lower body because that's what vulgar proles pay attention to. But just because the overall scene may be like that, doesn't mean there aren't exceptions like Au Revoir Simone, a corporeal minority within a scene of cerebrals.
As for social media personas, this all reminds me once again of Alison Balsam (@foolinthelotus on Twitter before she left) -- an early '80s manic-phase birth, a fertility shape rather than a mammary shape, and a dance lover. She had to have been a Manic Pixie Dream Girl during the late 2000s heyday -- the signs are still there, albeit somewhat obscured by the vulnerable emo phase she was posting in (late 2010s). Much like the type portrayed in entertainment media, there wasn't anyone else like her among the big-ish accounts -- no "Alison Balsam clones" or "that whole Alison Balsam crowd". The unique ones make an impression, and people can't get over it when they're gone.
That post looked at their character traits, and a pair of follow-up posts (here and here) showed that these girls are overwhelmingly born during the manic phase of the excitement cycle. They imprinted on a social mood that was carefree and invincible -- just what she needs to take the initiative and coax a wary love interest out of his vulnerable-phase cocoon.
Having covered their personality type, we continue on to their physical type. Height plays no role, ranging from 5' shorties to the 5'8 tall-for-a-girl end, although no one in the model-tall range. Not surprising: guys do not care how tall a girl is, one way or another. Still noteworthy, though: "taking the initiative" here does not mean being a tall amazon aggressor.
They have hourglass waist-to-hip ratios, which is not too surprising since that's what guys prefer in general. But it is worth noting that they are not relatively slim-hipped women with higher testosterone -- that's not the source of their taking the initiative with the guy. They have a feminine, fertile shape, reinforcing their role more as nurturers -- coaxing the guy out of his shell to heal him of his emo sickness, not strutting over to seduce him like an aggressor.
And to return to a perennial theme here, are they boob women or ass women? They are not busty: most have a B cup, with somewhat more A than C cups. Not being a boob man, I'm blind to them, and this was all news to me. I had no idea Natalie Portman was an A cup (guess she didn't get that particular Ashkenazi gene).
The only D cup is Katy Perry, but that's not such an exception anyway. First, she has a thick lower body. But to the point, I listed her because of "Simple," and in that 2005 video they dressed her in a baggy shirt so you can't tell what they're like even if you're paying attention. Their intuition told them it just wouldn't be right to have that persona coming from a girl with giant jugs.
Why not? Perhaps the sexuality would be too forward (literally) and threatening to a guy who is still wary about leaving his refractory-phase cocoon. Ass men would have no trouble ignoring them, but boob men would. The guy needs to focus on her facial expressions without distraction, to get back into the hang of back-and-forth social interactions with the opposite sex.
An ongoing theory here is that boob women and men are more cerebral, while ass women and men are more corporeal (see here for a recent post looking at political junkies being mostly busty women and boob men). So there's another reason she can't be the busty type -- she would likely be more cerebral, and that goes against the MPDG type.
She must be corporeal -- a touchy-feely free spirit in tune with nature and physical activities (like dancing), whose plans to get the guy out of his funk do not involve over-analyzing things, devising Rube Goldberg contraptions, etc. "Let your mind go, and your body will follow" (SanDeE from L.A. Story). Guys coming out of a refractory phase need to be rehabilitated physically, not just mentally, and corporeal girls will be best able to perform this role.
That means they're mostly ass women, by which I mean the gestalt fertility zone -- belly, hips, ass, and thighs, as distinguished from the mammary zone. That doesn't mean they have Kim Kardashian-sized bubble butts, just that they're on the thick side below the waist (including indie darlings like Zooey Deschanel). And some are slender above and below. But if they have a tendency toward one zone over the other, it's definitely the fertility zone. In performances or pictures, they play up their lower half, not their chest.
In fact, what first tipped me off to this was the photo from an album cover by Au Revoir Simone, who I mentioned before (click for a larger view):
That picture doesn't show it, but they're not busty as well, nor do they attempt to draw attention to their chests. In their videos for that album, they're comfortable showing off their lower bodies and engaging in corporeal activities -- carefree dancing, playing hopscotch, bouncing their thighs and slapping their knees to the rhythm while seated on a bench, and the like.
I highlight their example because it goes against the overall stereotype of their upper-middle-class indie-world social scene. You'd think they'd be cerebral, dismissive of dancing, and averse to showcasing the lower body because that's what vulgar proles pay attention to. But just because the overall scene may be like that, doesn't mean there aren't exceptions like Au Revoir Simone, a corporeal minority within a scene of cerebrals.
As for social media personas, this all reminds me once again of Alison Balsam (@foolinthelotus on Twitter before she left) -- an early '80s manic-phase birth, a fertility shape rather than a mammary shape, and a dance lover. She had to have been a Manic Pixie Dream Girl during the late 2000s heyday -- the signs are still there, albeit somewhat obscured by the vulnerable emo phase she was posting in (late 2010s). Much like the type portrayed in entertainment media, there wasn't anyone else like her among the big-ish accounts -- no "Alison Balsam clones" or "that whole Alison Balsam crowd". The unique ones make an impression, and people can't get over it when they're gone.
January 20, 2020
Bernie / Tulsi should make "Apache" their anti-Warren theme song
Returning to the topic of campaign soundtracks, Bernie's team desperately needs something to troll Lyin' Liz with -- an all-occasion retort that says no one is taking her seriously, she should shut up and drop out, and we're going to have fun while bullying you.
Most importantly, it must resonate with a wide audience -- not only the song itself, but the intended message. No deep cuts, no inside jokes. Attacking Warren ought to do double-duty and bring back some of the cultural moderates ("conservatives" in a Dem primary) who have left Bernie for Biden because they see him as a progressive wimp. So, something that over-40 white people would instantly recognize, whether or not the SJW campus crowd would get it.
Warren's most glaring self-own has been cosplaying as a Native American in order to steal an affirmative action spot at the Harvard Law faculty. She's been committed to the bit for decades, and didn't give up even after her DNA test conclusively proved her bloodline is 0% from the New World. This fatal flaw is universally known, especially after Trump cursed her with the nickname Pocahontas.
A Native American-themed song it is, then. Something that also suggests "going on the warpath" against her, with their distinctive drums or war cries. But something upbeat and fun, to make it irreverent and trolling rather than a true war anthem (like the metal songs listed before).
The perfect fit is "Apache," which will also resonate with our phase of the 15-year cultural excitement cycle, as it was first released in 1960, the first year of a warm-up phase. The original version by the Shadows works best for these purposes, as it has a more prominent war drum beat, and the guitar is more aggressive than the mellower and more expressive versions by the Ventures or Jorgen Ingmann.
The 1973 version by the Incredible Bongo Band won't work here because it's known mainly to (late) Gen X-ers and Millennials, through innumerable appearances in rap music. Plus it doesn't sound Native American, or have the martial drum beat -- it's funky psychedelic counter-culture music.
Using this song will flush out the woketards on two levels. First, it will trigger them as being problematic cultural appropriation (not composed or performed by Native Americans), whereas normies enjoy the song for what it is. And second, it will make them say that Warren is a victim of racism for being labeled Pocahontas, whereas normies realize what Trump meant -- to highlight that she is not Native American, and remind people why she lied about that.
A successful realignment of the Democrat party, or its replacement, requires silencing or ejecting these wokies, while bringing in a large chunk of defectors who normally favor the GOP (who likely identify as independents). If your campaign refuses to use this ammunition against an old-guard neoliberal candidate like Lyin' Liz, then you are not the realignment.
If Bernie's campaign doesn't have the balls and basic sense of humor to use it, then Tulsi's campaign ought to. It would fit right in with her image as a surfer, too. And even if Bernie's staff and prominent surrogates plead with his supporters not to use it, they must defy the incompetent leadership and blast it anyway, especially on Facebook where it may reach some Biden supporters who don't care about posting the obvious songs rather than the deep cuts.
As I pointed out in the metal anthems post, Trump has already used at least two of those, and Bernie only one. If the Democrats won't hammer Lyin' Liz with "Apache," do they have any doubt that a Trump general campaign would not? He would personally lead a tomahawk-chopping dance on stage, while everyone in the crowd followed along. Someone's going to slam her with that song -- it might as well benefit the realigner Democrat rather than the failed realigner Republican.
Most importantly, it must resonate with a wide audience -- not only the song itself, but the intended message. No deep cuts, no inside jokes. Attacking Warren ought to do double-duty and bring back some of the cultural moderates ("conservatives" in a Dem primary) who have left Bernie for Biden because they see him as a progressive wimp. So, something that over-40 white people would instantly recognize, whether or not the SJW campus crowd would get it.
Warren's most glaring self-own has been cosplaying as a Native American in order to steal an affirmative action spot at the Harvard Law faculty. She's been committed to the bit for decades, and didn't give up even after her DNA test conclusively proved her bloodline is 0% from the New World. This fatal flaw is universally known, especially after Trump cursed her with the nickname Pocahontas.
A Native American-themed song it is, then. Something that also suggests "going on the warpath" against her, with their distinctive drums or war cries. But something upbeat and fun, to make it irreverent and trolling rather than a true war anthem (like the metal songs listed before).
The perfect fit is "Apache," which will also resonate with our phase of the 15-year cultural excitement cycle, as it was first released in 1960, the first year of a warm-up phase. The original version by the Shadows works best for these purposes, as it has a more prominent war drum beat, and the guitar is more aggressive than the mellower and more expressive versions by the Ventures or Jorgen Ingmann.
The 1973 version by the Incredible Bongo Band won't work here because it's known mainly to (late) Gen X-ers and Millennials, through innumerable appearances in rap music. Plus it doesn't sound Native American, or have the martial drum beat -- it's funky psychedelic counter-culture music.
Using this song will flush out the woketards on two levels. First, it will trigger them as being problematic cultural appropriation (not composed or performed by Native Americans), whereas normies enjoy the song for what it is. And second, it will make them say that Warren is a victim of racism for being labeled Pocahontas, whereas normies realize what Trump meant -- to highlight that she is not Native American, and remind people why she lied about that.
A successful realignment of the Democrat party, or its replacement, requires silencing or ejecting these wokies, while bringing in a large chunk of defectors who normally favor the GOP (who likely identify as independents). If your campaign refuses to use this ammunition against an old-guard neoliberal candidate like Lyin' Liz, then you are not the realignment.
If Bernie's campaign doesn't have the balls and basic sense of humor to use it, then Tulsi's campaign ought to. It would fit right in with her image as a surfer, too. And even if Bernie's staff and prominent surrogates plead with his supporters not to use it, they must defy the incompetent leadership and blast it anyway, especially on Facebook where it may reach some Biden supporters who don't care about posting the obvious songs rather than the deep cuts.
As I pointed out in the metal anthems post, Trump has already used at least two of those, and Bernie only one. If the Democrats won't hammer Lyin' Liz with "Apache," do they have any doubt that a Trump general campaign would not? He would personally lead a tomahawk-chopping dance on stage, while everyone in the crowd followed along. Someone's going to slam her with that song -- it might as well benefit the realigner Democrat rather than the failed realigner Republican.
January 18, 2020
Unlike mega-donors, micro-donors have no say over how funds get used; Bernie's campaign as a subscription entertainment series
One consequence of the Bernie campaign relying on small donors is that the people who provide the funding have no say over how it gets used -- either how their own particular micro-donation gets used, or how the total pile of funds gets allocated.
It is similar to the tithing that the lowest-level members of a church pay to their head officials, or the taxes that ordinary citizens pay to their government. You can opt out, but then you don't get the benefits of paying in -- you're out of the church, out of the citizenry. If you aren't a regular donor to a campaign that relies on micro-donations, then you're out of the "movement".
This funding mechanism is totally opposite to the mega-donor model. There, the people who make most of the money appear in the coffers have all sorts of strings attached -- general favors that can be called in later, or specific agenda items or strategies they want pursued by the recipients. The funding comes from above rather than below. And it is the recipients who will be "out of" something if the donor chooses not to pay -- the recipients need their patron more than he needs them, since he can find some other group to patronize.
For micro-donors, "voting with their dollars" is not control over the organization that they donate to. First, any single one of them has no favors that can be called in later on. And second, there is no way for an individual small donor to attach strings to their micro-donation.
Generally the donation does not even include a checklist of items for the micro-donor to express their priorities -- but even if there were, how would the micro-donor ever know what the aggregate priorities from all micro-donors was? And even then, how would a micro-donor know if the officials actually went ahead and spent the funds in the way expressed by that aggregate data on priorities? And even if they could find out how the funds were spent -- how would a micro-donor ever be able to hold the officials to account if they spent them against the wishes of the aggregate priority data?
If the strings were attached at an individual level, how could a specific micro-donor know how his particular funds were spent, let alone hold the organization to account if they went against his wishes?
In order for them to have any degree of control over the use of their funds, the small donors would have to form a collective that acted similar to a mega-donor. For example, individual workers forming a labor union, and the union donating to a campaign. That somewhat repeats the same problem -- how do the individual workers hold the union representatives to account? But it is less of a problem in degree because it is intermediate in scale -- it's easier for individual workers to hold their union to account than for individual donors to hold a national campaign to account.
Even if the unions form a large-scale, national-level federation like the AFL-CIO, that is still more accountable to individual workers because of the federated structure. For isolated individuals donating small amounts to a national campaign, there is nobody more powerful than you to operate on your behalf vis-a-vis the campaign. It's you or the campaign officials. With a union federation, there are various tiers of labor reps who can advance your priorities, if the senior federation officials are not behaving how you'd like.
And of course, sometimes those intermediate-level officials will get vetoed by the senior leadership. But at least it's your own senior leadership that is acting -- if their choices don't get results through political activity for the low-level workers, they know they'll start opting out and the senior leaders will be out of a job. Campaign officials are not working strictly to advance the interests of some group of workers like a union or federation is -- they're responding to pressure from all sorts of groups.
However much control you're delegating away in a labor federation, you're delegating even more away by micro-donating to a big campaign. There's practically no accountability at all.
This explains why there is so much frustration among Bernie's utilitarian micro-donors. Some will give blindly no matter what, and don't really care how it's used. But given that this is a supposedly revolutionary campaign, a larger-than-usual share of his micro-donors are giving money for practical reasons -- they want to see issues A, B, and C advanced, and they do not want to hear at all about issues X, Y, and Z. They want strategies 1, 2, and 3, but not strategies 7, 8, and 9.
Why isn't Bernie buying more TV ads in some state? Why is Bernie talking like a woketard about cultural issues, instead of slamming open borders as "a Koch Brothers proposal"? Why isn't he beating up on Lyin' Liz Warren?
"What the hell are we giving you all this money for, if you're not going to do as we say?" But then, there is no way for micro-donors to have a say in the allocation of funds at such a large scale. Hence the frustration.
It could be that the majority of his micro-donors do want Bernie to have less of a TV presence, to push woke issues, and to refrain from counter-punching his formidable attackers. But I fucking doubt it.
You see, there is somebody who's making these decisions -- but it is the campaign officials themselves, who have freed themselves of the mega-donor relationship, where they would be mere clients of a super-wealthy patron, but who have also freed themselves of accountability to micro-donors because of the lack of collective weight behind any one of their micro-donations. It is akin to actually existing communism, where the large private owners have been expropriated, but the professional-managerial class takes their place, while workers still have little control over what happens in the workplace or broader society.
The interests of the campaign officials is not necessarily the same as the individual donors, either separately or collectively. Especially in this case, where the campaign officials want to stay connected to the existing national-level patronage networks after this specific campaign is over. They want to work at some progressive think tank, speak on some progressive media show, earn a salary from some progressive politician or NGO, or whatever else.
What happens if micro-donors want Bernie to go no-holds-barred against his rivals, given how uphill his battle is? Or if they want Bernie to minimize the woke progressive crap (whether to accord with their own values, or on purely pragmatic concerns about alienating large numbers of potential supporters)? Suddenly the source of funding and the spenders of funding are diametrically opposed to each other, but unlike the mega-donor model, here it is the senior campaign officials who will veto the funders.
It's hard to tell what share of Bernie's micro-donors are these utilitarian donors who have no power and get frustrated, vs. how many are blind-faith donors who don't care if the actual allocation of funds produces certain results or not, who are donating more for expressive reasons.
I suspect the latter outnumber the former (with a third group who are neither, all being under 50%). Indeed, the most similar model here is not tithing to a church or paying taxes to a government, which do produce some kind of material results for the funders, however much they may grumble about them. No, the most comparable model is a subscription to entertainment "content" -- we'll fund you enough to produce the content, and as long as it entertains us, we'll renew our subscription. If it gets too boring or veers off into gauche taste territory, then we'll cancel our subscription.
Contra their claims about wanting Bernie to be a commander-in-chief, or organizer-in-chief, they really want him to be a podcaster-in-chief -- not for conducting foreign policy a certain way, enforcing laws a certain way, etc., but to lead the charge in an informational war within the media-entertainment industry.
That is the second layer of frustration that the utilitarian Bernie donors must suffer -- the bewilderment upon seeing that a large chunk, maybe a majority, of their fellow regular donors don't seem to care one bit how the money gets spent, like it's all just paying into some indie filmmaker's kickstarter. If the movie's entertaining, we get bragging rights for producing it; if it's boring or gauche, well at least we tried to make something cool, more than can be said of those who didn't donate to it.
Ultimately this problem reduces to the class make-up of the Bernie donor pool -- although it is more working-class than other donor pools, that isn't saying much, and it is mainly not blue-collar workers, who would bring a utilitarian focus because they are hard-up, rather than a focus on being entertained because they're already comfortable economically. Temporarily struggling professionals, like AOC during her stint as a bartender, are not blue-collar workers. Their self-conception, ambitions, collective affiliation, and the rest, are squarely aimed at professional-class interests.
To bring about major economic changes, a realignment campaign cannot rely on micro-donations from professionals (aspiring or actual) who want an entertainment product. Little-guy funding must come from member-based organizations like labor unions and their federations, responding to the utilitarian interests of working-class people.
That will not change overnight; the point here is to explain why there is such apparent incompetence in the Bernie campaign, from the utilitarian working-class view. There must be some greater force at play, then. First, the agency problem of micro-donors vs. a national campaign staff. And second, the professional-class demand for a serial entertainment franchise that generates so much content that it can be binged all day, every day, with no boring lulls in the production schedule. The pool of micro-donors do not constitute a movement, but a fandom.
It is similar to the tithing that the lowest-level members of a church pay to their head officials, or the taxes that ordinary citizens pay to their government. You can opt out, but then you don't get the benefits of paying in -- you're out of the church, out of the citizenry. If you aren't a regular donor to a campaign that relies on micro-donations, then you're out of the "movement".
This funding mechanism is totally opposite to the mega-donor model. There, the people who make most of the money appear in the coffers have all sorts of strings attached -- general favors that can be called in later, or specific agenda items or strategies they want pursued by the recipients. The funding comes from above rather than below. And it is the recipients who will be "out of" something if the donor chooses not to pay -- the recipients need their patron more than he needs them, since he can find some other group to patronize.
For micro-donors, "voting with their dollars" is not control over the organization that they donate to. First, any single one of them has no favors that can be called in later on. And second, there is no way for an individual small donor to attach strings to their micro-donation.
Generally the donation does not even include a checklist of items for the micro-donor to express their priorities -- but even if there were, how would the micro-donor ever know what the aggregate priorities from all micro-donors was? And even then, how would a micro-donor know if the officials actually went ahead and spent the funds in the way expressed by that aggregate data on priorities? And even if they could find out how the funds were spent -- how would a micro-donor ever be able to hold the officials to account if they spent them against the wishes of the aggregate priority data?
If the strings were attached at an individual level, how could a specific micro-donor know how his particular funds were spent, let alone hold the organization to account if they went against his wishes?
In order for them to have any degree of control over the use of their funds, the small donors would have to form a collective that acted similar to a mega-donor. For example, individual workers forming a labor union, and the union donating to a campaign. That somewhat repeats the same problem -- how do the individual workers hold the union representatives to account? But it is less of a problem in degree because it is intermediate in scale -- it's easier for individual workers to hold their union to account than for individual donors to hold a national campaign to account.
Even if the unions form a large-scale, national-level federation like the AFL-CIO, that is still more accountable to individual workers because of the federated structure. For isolated individuals donating small amounts to a national campaign, there is nobody more powerful than you to operate on your behalf vis-a-vis the campaign. It's you or the campaign officials. With a union federation, there are various tiers of labor reps who can advance your priorities, if the senior federation officials are not behaving how you'd like.
And of course, sometimes those intermediate-level officials will get vetoed by the senior leadership. But at least it's your own senior leadership that is acting -- if their choices don't get results through political activity for the low-level workers, they know they'll start opting out and the senior leaders will be out of a job. Campaign officials are not working strictly to advance the interests of some group of workers like a union or federation is -- they're responding to pressure from all sorts of groups.
However much control you're delegating away in a labor federation, you're delegating even more away by micro-donating to a big campaign. There's practically no accountability at all.
This explains why there is so much frustration among Bernie's utilitarian micro-donors. Some will give blindly no matter what, and don't really care how it's used. But given that this is a supposedly revolutionary campaign, a larger-than-usual share of his micro-donors are giving money for practical reasons -- they want to see issues A, B, and C advanced, and they do not want to hear at all about issues X, Y, and Z. They want strategies 1, 2, and 3, but not strategies 7, 8, and 9.
Why isn't Bernie buying more TV ads in some state? Why is Bernie talking like a woketard about cultural issues, instead of slamming open borders as "a Koch Brothers proposal"? Why isn't he beating up on Lyin' Liz Warren?
"What the hell are we giving you all this money for, if you're not going to do as we say?" But then, there is no way for micro-donors to have a say in the allocation of funds at such a large scale. Hence the frustration.
It could be that the majority of his micro-donors do want Bernie to have less of a TV presence, to push woke issues, and to refrain from counter-punching his formidable attackers. But I fucking doubt it.
You see, there is somebody who's making these decisions -- but it is the campaign officials themselves, who have freed themselves of the mega-donor relationship, where they would be mere clients of a super-wealthy patron, but who have also freed themselves of accountability to micro-donors because of the lack of collective weight behind any one of their micro-donations. It is akin to actually existing communism, where the large private owners have been expropriated, but the professional-managerial class takes their place, while workers still have little control over what happens in the workplace or broader society.
The interests of the campaign officials is not necessarily the same as the individual donors, either separately or collectively. Especially in this case, where the campaign officials want to stay connected to the existing national-level patronage networks after this specific campaign is over. They want to work at some progressive think tank, speak on some progressive media show, earn a salary from some progressive politician or NGO, or whatever else.
What happens if micro-donors want Bernie to go no-holds-barred against his rivals, given how uphill his battle is? Or if they want Bernie to minimize the woke progressive crap (whether to accord with their own values, or on purely pragmatic concerns about alienating large numbers of potential supporters)? Suddenly the source of funding and the spenders of funding are diametrically opposed to each other, but unlike the mega-donor model, here it is the senior campaign officials who will veto the funders.
It's hard to tell what share of Bernie's micro-donors are these utilitarian donors who have no power and get frustrated, vs. how many are blind-faith donors who don't care if the actual allocation of funds produces certain results or not, who are donating more for expressive reasons.
I suspect the latter outnumber the former (with a third group who are neither, all being under 50%). Indeed, the most similar model here is not tithing to a church or paying taxes to a government, which do produce some kind of material results for the funders, however much they may grumble about them. No, the most comparable model is a subscription to entertainment "content" -- we'll fund you enough to produce the content, and as long as it entertains us, we'll renew our subscription. If it gets too boring or veers off into gauche taste territory, then we'll cancel our subscription.
Contra their claims about wanting Bernie to be a commander-in-chief, or organizer-in-chief, they really want him to be a podcaster-in-chief -- not for conducting foreign policy a certain way, enforcing laws a certain way, etc., but to lead the charge in an informational war within the media-entertainment industry.
That is the second layer of frustration that the utilitarian Bernie donors must suffer -- the bewilderment upon seeing that a large chunk, maybe a majority, of their fellow regular donors don't seem to care one bit how the money gets spent, like it's all just paying into some indie filmmaker's kickstarter. If the movie's entertaining, we get bragging rights for producing it; if it's boring or gauche, well at least we tried to make something cool, more than can be said of those who didn't donate to it.
Ultimately this problem reduces to the class make-up of the Bernie donor pool -- although it is more working-class than other donor pools, that isn't saying much, and it is mainly not blue-collar workers, who would bring a utilitarian focus because they are hard-up, rather than a focus on being entertained because they're already comfortable economically. Temporarily struggling professionals, like AOC during her stint as a bartender, are not blue-collar workers. Their self-conception, ambitions, collective affiliation, and the rest, are squarely aimed at professional-class interests.
To bring about major economic changes, a realignment campaign cannot rely on micro-donations from professionals (aspiring or actual) who want an entertainment product. Little-guy funding must come from member-based organizations like labor unions and their federations, responding to the utilitarian interests of working-class people.
That will not change overnight; the point here is to explain why there is such apparent incompetence in the Bernie campaign, from the utilitarian working-class view. There must be some greater force at play, then. First, the agency problem of micro-donors vs. a national campaign staff. And second, the professional-class demand for a serial entertainment franchise that generates so much content that it can be binged all day, every day, with no boring lulls in the production schedule. The pool of micro-donors do not constitute a movement, but a fandom.
January 16, 2020
Bernie's last chance: Slam MeToo as witch hunt to distract from class, pick up indies and Biden's cultural conservative whites
In 2016, Bernie was the non-woke candidate in the Democrat primary, since Hillary was hyper-woke. In a contest, everything is zero-sum -- not only ultimate success (a winner vs. a loser), but what qualities the candidates have. If Bernie "supports women's rights," but Hillary is blasting that theme 24/7, then in relative terms, Bernie is the non-woke and Hillary the hyper-woke candidate.
We would have to zoom out to a larger ideological scale to see Bernie as woke -- e.g., if he faced a general election against Ted Cruz. But on the relevant scale, we only look at the actual Democrat candidates in that primary. And in that primary, Bernie was the non-woke choice. In the context of the 2008 Democrat primary, it was Hillary who was the non-woke candidate, running against Obama. That's why West Virginia Democrats chose Hillary in '08, but ditched her in favor of Bernie in '16.
The way things are going in 2020, it's possible that West Virginia will choose Biden, who has largely refrained from the shrill progressive culture-warring that Hillary indulged in ("deplorables," Alt-Right speech, etc.), whereas Bernie has been hijacked by the broader "progressive movement" in the wake of his expectation-shattering 2016 campaign.
This has broken down Bernie's coalition from '16 by shifting those who prioritize progressive cultural issues into Lyin' Liz's camp, and alienating a decent chunk of his culturally conservative white supporters into Biden's camp. Again, everything is relative in a contest -- I don't care if "culturally conservative Democrats" accept gay marriage as fait accompli, if they balk at theatrically reading out the names of "my dead gay tranny POC" like the relatively more woke candidates do.
The defectors to Lyin' Liz were class-motivated -- they are professional-class, and prioritize economic and foreign policies that will benefit the top 20%, with zero regard for the bottom 80%, whom they regard with utter contempt, especially if they live in flyover country or outside of the top 10 metro areas. Their fixation on progressive cultural issues is just a mask for this professional-class war against the working class, but also against against the ownership class, whose manager they demand to speak to in order to get a comfier ride during their professional-class ambitions.
The reason why so many "socialists" defended Warren and concern-trolled Bernie throughout 2019 was because they identified the common class interests with the Lyin' Liz crowd. The socialists, too, are mainly professional-class and are angry that their capitalist overlords aren't giving them enough to satisfy their yuppie status-striving ambitions.
"How am I supposed to live in Brooklyn / Austin / LA / Seattle, without free healthcare and my student loan debt canceled?" Well, in the meantime before the revolution, you can always move back to whatever hick town you actually come from, where life is more affordable. The horror! The indignity! They simply demand to ride high-on-the-hog in the most expensive status-striving zip codes literally on the face of the Earth. They couldn't care less if the bottom 80% languish in squalor back where they actually come from -- it's free stuff for the top 20%, not welfare for the entire nation.
Naturally, these socialists prioritize progressive cultural issues over economic revolution, such as re-industrializing the economy (the center of all socialist revolutions), or de-scaling our over-extended empire (which they only object to on progressive cultural grounds -- empire is just racism backed by an army, to them, so they don't care if the Pentagon continues to occupy Europe via NATO and threatens our own nuclear annihilation by antagonizing Russia, which would only amount to unobjectionable white-on-white violence).
In sum, these SJW-ists -- by whatever label they choose -- will be difficult to get back into Bernie's camp for 2020. Especially now that Lyin' Liz has gone nuclear with her risible #MeToo smear against Bernie. No one believes it's true, since moral panics peak during the vulnerable phase of the 15-year excitement cycle, and we're moving into the first year of the warm-up phase when the backlash to that hysteria will begin.
Even among believers of the smear, contrast their reaction to the other cases during the 2015-2019 hysteria -- they don't fear Bernie, don't feel violated, etc. Now it's just an emotionally empty symbol that they're using to beat him with, since the emotional resonance with themes of rape, trauma, etc. is no longer there. Now it is more openly visible as a tool for the professional class to weaken a politician who threatens to improve the entire nation and not just pamper the bratty top 20%. It's their way of declaring that there's no going back to the Bernie coalition, they're ride-or-die for the candidate who is even more of a girlboss than Crooked Hillary Clinton.
The silver lining here is that Bernie can use this opportunity to get back the culturally conservative whites who left him for Biden over the issue of too much wokeness. Before this smear by Lyin' Liz, it would have been a hard sell for Bernie to walk back the past 4 years of gradual woke-ification of his image and message.
But now he can credibly claim to be a martyr of the excesses of MeToo, and that he was targeted because he wants the best for the entire nation, not just the class of spoiled yuppie girlbosses and their cuckolded partners. He can launch into a broader diatribe against identity politics as a distraction from material issues, used by the top 20% to rationalize their exploitation of the bottom 80%, who in their minds are nothing but racist sexist flyover scum and therefore deserving of their de-industrialized shithole country of the neoliberal era.
This will bring back any working-class whites who left Bernie over wokeness, but it would even bring back some of his professional-class white supporters. Not all professionals are woke -- indeed, the culture war is largely a within-class battle between elite liberals and elite conservatives. Their positions are moralistic rationalizations for why their half of the elite should hold power over society, which would bring in the flow of material and intangible status benefits to their side rather than the other's.
(This within-class war is more intense because more is at stake: no matter which side wins, the elites will continue to exploit the commoners, so punching down on the flyover proles is of secondary concern to them. But if their side wins the within-elite battle, they'll win control over society and get a shitload more stuff than their elite rivals. So most of the culture war is elites battling their elite rivals.)
Some of these professional-class cultural conservatives, who vote in Democrat primaries, were with Bernie in '16 because he was the non-woke candidate, and they prioritize non-wokeness over economics of either stripe (elitist or populist). They're materially comfortable enough that they focus mainly on the culture war, and they want to see the non-woke Democrat win -- even if, as in Bernie's case in '16, that meant they might have to pay higher taxes or whatever. Small price to pay, for comfortable people, in order to keep their country from going down the cultural sewer. They tend to be over 40 (not the campus radical set), which fortunately means they're more influential on the outcome of an election.
They may already watch Fox News over their culturally liberal competitors, and especially Tucker Carlson. If Bernie did the right thing in response to Lyin' Liz's smear, he could make regular appearances on Tucker or the cultural moderates of The Five, and not only coax back the Democrats in the Fox audience, but convince enough independents and Republicans to vote in the Democrat primary, just so they can strike back at the MeToo witch-hunters among the coastal elites, whatever their plans may be for the general election.
This is the only way for Bernie to improve his chances in the wake of Lyin' Liz's feminazi hit job. All other responses leave him at best the same, or weakened -- they won't like his weak response, which amounts to an abdication of his leadership role, so they would likely go to Biden (not Lyin' Liz herself), who is objectively more of a fighter and leader (just not for the issues the Bernie supporter wants).
Such complicated dynamics emerge from multi-candidate contests, where Lyin' Liz will not only steal Bernie supporters directly, but attack him in ways that alienate them into choosing among the other candidates (or staying home). All of which helps Biden, naturally given Lyin' Liz's role as a suicide bomber for the neoliberal establishment Democrats.
And after she detonated the vest right next to Bernie on the debate stage, he should call her out directly as a suicide bomber, a kamikaze pilot, whose sole mission is to keep the brutal status quo in place, by any means necessary. Bernie-to-Biden voters hate Lyin' Liz to begin with, and with that disgusting stunt she just pulled, they must be seething along with the Bernie loyalists. It's the perfect opportunity to persuade those defectors into returning to the Bernie camp.
God knows it's going to be nearly impossible to do so for Lyin' Liz supporters from here on out -- and her pool is tinier anyway, compared to Biden's. And in this move, Bernie would not even be attacking Biden directly to poach his voters (which he could still do later) -- he would simply be robbing Biden of the mantle of non-wokeness, becoming the warrior against the polarizing culture war.
Bernie's campaign has been doing the wrong things for the past 4 years regarding the maintenance and expansion of his coalition, so they will likely continue after this event and either remain in a distant 2nd place, or deflate even further. But any surprise would be welcome -- maybe getting so viciously shivved by a progressive feminazi on national TV will wake some of those leftoids up and put them in do-or-die mode for once.
We would have to zoom out to a larger ideological scale to see Bernie as woke -- e.g., if he faced a general election against Ted Cruz. But on the relevant scale, we only look at the actual Democrat candidates in that primary. And in that primary, Bernie was the non-woke choice. In the context of the 2008 Democrat primary, it was Hillary who was the non-woke candidate, running against Obama. That's why West Virginia Democrats chose Hillary in '08, but ditched her in favor of Bernie in '16.
The way things are going in 2020, it's possible that West Virginia will choose Biden, who has largely refrained from the shrill progressive culture-warring that Hillary indulged in ("deplorables," Alt-Right speech, etc.), whereas Bernie has been hijacked by the broader "progressive movement" in the wake of his expectation-shattering 2016 campaign.
This has broken down Bernie's coalition from '16 by shifting those who prioritize progressive cultural issues into Lyin' Liz's camp, and alienating a decent chunk of his culturally conservative white supporters into Biden's camp. Again, everything is relative in a contest -- I don't care if "culturally conservative Democrats" accept gay marriage as fait accompli, if they balk at theatrically reading out the names of "my dead gay tranny POC" like the relatively more woke candidates do.
The defectors to Lyin' Liz were class-motivated -- they are professional-class, and prioritize economic and foreign policies that will benefit the top 20%, with zero regard for the bottom 80%, whom they regard with utter contempt, especially if they live in flyover country or outside of the top 10 metro areas. Their fixation on progressive cultural issues is just a mask for this professional-class war against the working class, but also against against the ownership class, whose manager they demand to speak to in order to get a comfier ride during their professional-class ambitions.
The reason why so many "socialists" defended Warren and concern-trolled Bernie throughout 2019 was because they identified the common class interests with the Lyin' Liz crowd. The socialists, too, are mainly professional-class and are angry that their capitalist overlords aren't giving them enough to satisfy their yuppie status-striving ambitions.
"How am I supposed to live in Brooklyn / Austin / LA / Seattle, without free healthcare and my student loan debt canceled?" Well, in the meantime before the revolution, you can always move back to whatever hick town you actually come from, where life is more affordable. The horror! The indignity! They simply demand to ride high-on-the-hog in the most expensive status-striving zip codes literally on the face of the Earth. They couldn't care less if the bottom 80% languish in squalor back where they actually come from -- it's free stuff for the top 20%, not welfare for the entire nation.
Naturally, these socialists prioritize progressive cultural issues over economic revolution, such as re-industrializing the economy (the center of all socialist revolutions), or de-scaling our over-extended empire (which they only object to on progressive cultural grounds -- empire is just racism backed by an army, to them, so they don't care if the Pentagon continues to occupy Europe via NATO and threatens our own nuclear annihilation by antagonizing Russia, which would only amount to unobjectionable white-on-white violence).
In sum, these SJW-ists -- by whatever label they choose -- will be difficult to get back into Bernie's camp for 2020. Especially now that Lyin' Liz has gone nuclear with her risible #MeToo smear against Bernie. No one believes it's true, since moral panics peak during the vulnerable phase of the 15-year excitement cycle, and we're moving into the first year of the warm-up phase when the backlash to that hysteria will begin.
Even among believers of the smear, contrast their reaction to the other cases during the 2015-2019 hysteria -- they don't fear Bernie, don't feel violated, etc. Now it's just an emotionally empty symbol that they're using to beat him with, since the emotional resonance with themes of rape, trauma, etc. is no longer there. Now it is more openly visible as a tool for the professional class to weaken a politician who threatens to improve the entire nation and not just pamper the bratty top 20%. It's their way of declaring that there's no going back to the Bernie coalition, they're ride-or-die for the candidate who is even more of a girlboss than Crooked Hillary Clinton.
The silver lining here is that Bernie can use this opportunity to get back the culturally conservative whites who left him for Biden over the issue of too much wokeness. Before this smear by Lyin' Liz, it would have been a hard sell for Bernie to walk back the past 4 years of gradual woke-ification of his image and message.
But now he can credibly claim to be a martyr of the excesses of MeToo, and that he was targeted because he wants the best for the entire nation, not just the class of spoiled yuppie girlbosses and their cuckolded partners. He can launch into a broader diatribe against identity politics as a distraction from material issues, used by the top 20% to rationalize their exploitation of the bottom 80%, who in their minds are nothing but racist sexist flyover scum and therefore deserving of their de-industrialized shithole country of the neoliberal era.
This will bring back any working-class whites who left Bernie over wokeness, but it would even bring back some of his professional-class white supporters. Not all professionals are woke -- indeed, the culture war is largely a within-class battle between elite liberals and elite conservatives. Their positions are moralistic rationalizations for why their half of the elite should hold power over society, which would bring in the flow of material and intangible status benefits to their side rather than the other's.
(This within-class war is more intense because more is at stake: no matter which side wins, the elites will continue to exploit the commoners, so punching down on the flyover proles is of secondary concern to them. But if their side wins the within-elite battle, they'll win control over society and get a shitload more stuff than their elite rivals. So most of the culture war is elites battling their elite rivals.)
Some of these professional-class cultural conservatives, who vote in Democrat primaries, were with Bernie in '16 because he was the non-woke candidate, and they prioritize non-wokeness over economics of either stripe (elitist or populist). They're materially comfortable enough that they focus mainly on the culture war, and they want to see the non-woke Democrat win -- even if, as in Bernie's case in '16, that meant they might have to pay higher taxes or whatever. Small price to pay, for comfortable people, in order to keep their country from going down the cultural sewer. They tend to be over 40 (not the campus radical set), which fortunately means they're more influential on the outcome of an election.
They may already watch Fox News over their culturally liberal competitors, and especially Tucker Carlson. If Bernie did the right thing in response to Lyin' Liz's smear, he could make regular appearances on Tucker or the cultural moderates of The Five, and not only coax back the Democrats in the Fox audience, but convince enough independents and Republicans to vote in the Democrat primary, just so they can strike back at the MeToo witch-hunters among the coastal elites, whatever their plans may be for the general election.
This is the only way for Bernie to improve his chances in the wake of Lyin' Liz's feminazi hit job. All other responses leave him at best the same, or weakened -- they won't like his weak response, which amounts to an abdication of his leadership role, so they would likely go to Biden (not Lyin' Liz herself), who is objectively more of a fighter and leader (just not for the issues the Bernie supporter wants).
Such complicated dynamics emerge from multi-candidate contests, where Lyin' Liz will not only steal Bernie supporters directly, but attack him in ways that alienate them into choosing among the other candidates (or staying home). All of which helps Biden, naturally given Lyin' Liz's role as a suicide bomber for the neoliberal establishment Democrats.
And after she detonated the vest right next to Bernie on the debate stage, he should call her out directly as a suicide bomber, a kamikaze pilot, whose sole mission is to keep the brutal status quo in place, by any means necessary. Bernie-to-Biden voters hate Lyin' Liz to begin with, and with that disgusting stunt she just pulled, they must be seething along with the Bernie loyalists. It's the perfect opportunity to persuade those defectors into returning to the Bernie camp.
God knows it's going to be nearly impossible to do so for Lyin' Liz supporters from here on out -- and her pool is tinier anyway, compared to Biden's. And in this move, Bernie would not even be attacking Biden directly to poach his voters (which he could still do later) -- he would simply be robbing Biden of the mantle of non-wokeness, becoming the warrior against the polarizing culture war.
Bernie's campaign has been doing the wrong things for the past 4 years regarding the maintenance and expansion of his coalition, so they will likely continue after this event and either remain in a distant 2nd place, or deflate even further. But any surprise would be welcome -- maybe getting so viciously shivved by a progressive feminazi on national TV will wake some of those leftoids up and put them in do-or-die mode for once.
January 13, 2020
The high-T white working class war anthem playlist for realigner candidates
Those who want to realign the Democrat party -- or to found a new party in its wake, if it implodes like the Whigs -- will require a big chunk of the white working class who voted Trump to permanently defect away from the GOP.
There is no untapped reservoir of non-voters who will swoop in like a deus ex machina to save the moribund progressive movement -- nobody wants that garbage any more than they want yet another re-brand of "compassionate conservatism" and endless wars. Those two movements belong to the neoliberal Reagan era, and something new and different will come about from a realignment of the parties, displacing the GOP from dominant status and elevating the Democrats or their replacement party.
Wary white working class people will need some convincing that the realigner Democrat is not only welcoming toward them, but willing to lead a war on their behalf. Otherwise they will refuse to enlist in that army.
For the neoliberal era, Democrat candidates -- whether they label themselves liberals, moderates, progressives, or even socialists -- not only look down their nose at ordinary people and their culture, they are only looking after professional-class and capitalist interests, and would never lead the charge for the working class.
Obviously any coalition within a stratified society will have those elite interests represented -- working-class people know and accept that the elites will get something for themselves, but they're not going to sign up for the fight unless they themselves will get something big as well. They did enlist in the New Deal army, but they refuse to enlist in the neoliberal army.
Toward the goal of shaking things up to bring in the white working class, cranking up the T-levels in order to fight harder against the enemy, and keeping the collective's spirits high, here is a simple playlist of songs that realigner candidates would include within their broader campaign soundtrack. They don't need to be played back to back, in a loop, but inserted at key moments when a war charge is called for.
They are all from the highest-T period of music, the first half of the 1980s. This was a manic phase during the cultural excitement cycle, and near the peak of the socially outgoing / rising-crime era of 1960-1990. And they're all hard rock / heavy metal, which signals the distinct appeal to the white working class, as opposed to professionals of any race, or to the black working class who do not vote GOP and cannot serve as a source of defectors to secure a realignment. Hailing from the '80s, they appeal to older voters (Boomers and early X-ers) in a way that Democrats struggle pathetically with.
I excluded anything that would be too niche for mainstream audiences, anarchic, only male in its appeal, or that had even one line that could be interpreted in a demotivational, backing-down way ("I can't see no reason to put up a fight," or "I knew right from the beginning that you would end up winning".) It would have to fit in well in a stadium to rally the fans around their team, not just some narrow little sub-cultural cocoon.
Most of these will make the professional-class Left drop dead from embarrassment, "you're posting cringe bro," etc. But that's the point: it signals to the working class that the elites are going to give up prioritizing their own music, tolerate that of a different group, and choose winning (no matter what songs they have to grin and bear listening to) over self-aggrandizement and self-indulgence. It would honestly signal a shift from worthless decadents to competent warriors.
Trump has already prominently featured at least two of these nine songs that I know of, while Bernie has only featured one, so the realigning Democrat / replacement party is going to have to play catch-up. But better late than never.
And in a situation like this flagrant attack by neoliberal Lyin' Liz against Bernie, they're going to desperately need to break these out during the 2020 primary, which will prepare them for the true realignment in 2024 or later. Bernie refuses to fight, and has capitulated to the professional-class progressive movement.
If the dickless weenies who control the Bernie movement won't use them, then Tulsi could feature them in her social media videos, whether they're the anti-status-quo ones or the workout videos that show how full of vigor she is to fight the enemy on your behalf. (That would also spawn fan response videos using similar songs -- "No One Like You," etc.)
Forget "uncucking the polls" or refraining from hard-nosed analysis until the damage has already been done. If you want to boost campaign morale, put these songs into regular rotation. In chronological order:
"United" by Judas Priest (1980)
"Back in Black" by AC/DC (1980)
"Ace of Spades" by Motorhead (1980)
"Crazy Train" by Ozzy Osbourne (1980)
"Rebel Yell" by Billy Idol (1983)
"Metal Health" by Quiet Riot (1983)
"Balls to the Wall" by Accept (1983)
"We're Not Gonna Take It" by Twisted Sister (1984)
"Rock You Like a Hurricane" by Scorpions (1984)
There is no untapped reservoir of non-voters who will swoop in like a deus ex machina to save the moribund progressive movement -- nobody wants that garbage any more than they want yet another re-brand of "compassionate conservatism" and endless wars. Those two movements belong to the neoliberal Reagan era, and something new and different will come about from a realignment of the parties, displacing the GOP from dominant status and elevating the Democrats or their replacement party.
Wary white working class people will need some convincing that the realigner Democrat is not only welcoming toward them, but willing to lead a war on their behalf. Otherwise they will refuse to enlist in that army.
For the neoliberal era, Democrat candidates -- whether they label themselves liberals, moderates, progressives, or even socialists -- not only look down their nose at ordinary people and their culture, they are only looking after professional-class and capitalist interests, and would never lead the charge for the working class.
Obviously any coalition within a stratified society will have those elite interests represented -- working-class people know and accept that the elites will get something for themselves, but they're not going to sign up for the fight unless they themselves will get something big as well. They did enlist in the New Deal army, but they refuse to enlist in the neoliberal army.
Toward the goal of shaking things up to bring in the white working class, cranking up the T-levels in order to fight harder against the enemy, and keeping the collective's spirits high, here is a simple playlist of songs that realigner candidates would include within their broader campaign soundtrack. They don't need to be played back to back, in a loop, but inserted at key moments when a war charge is called for.
They are all from the highest-T period of music, the first half of the 1980s. This was a manic phase during the cultural excitement cycle, and near the peak of the socially outgoing / rising-crime era of 1960-1990. And they're all hard rock / heavy metal, which signals the distinct appeal to the white working class, as opposed to professionals of any race, or to the black working class who do not vote GOP and cannot serve as a source of defectors to secure a realignment. Hailing from the '80s, they appeal to older voters (Boomers and early X-ers) in a way that Democrats struggle pathetically with.
I excluded anything that would be too niche for mainstream audiences, anarchic, only male in its appeal, or that had even one line that could be interpreted in a demotivational, backing-down way ("I can't see no reason to put up a fight," or "I knew right from the beginning that you would end up winning".) It would have to fit in well in a stadium to rally the fans around their team, not just some narrow little sub-cultural cocoon.
Most of these will make the professional-class Left drop dead from embarrassment, "you're posting cringe bro," etc. But that's the point: it signals to the working class that the elites are going to give up prioritizing their own music, tolerate that of a different group, and choose winning (no matter what songs they have to grin and bear listening to) over self-aggrandizement and self-indulgence. It would honestly signal a shift from worthless decadents to competent warriors.
Trump has already prominently featured at least two of these nine songs that I know of, while Bernie has only featured one, so the realigning Democrat / replacement party is going to have to play catch-up. But better late than never.
And in a situation like this flagrant attack by neoliberal Lyin' Liz against Bernie, they're going to desperately need to break these out during the 2020 primary, which will prepare them for the true realignment in 2024 or later. Bernie refuses to fight, and has capitulated to the professional-class progressive movement.
If the dickless weenies who control the Bernie movement won't use them, then Tulsi could feature them in her social media videos, whether they're the anti-status-quo ones or the workout videos that show how full of vigor she is to fight the enemy on your behalf. (That would also spawn fan response videos using similar songs -- "No One Like You," etc.)
Forget "uncucking the polls" or refraining from hard-nosed analysis until the damage has already been done. If you want to boost campaign morale, put these songs into regular rotation. In chronological order:
"United" by Judas Priest (1980)
"Back in Black" by AC/DC (1980)
"Ace of Spades" by Motorhead (1980)
"Crazy Train" by Ozzy Osbourne (1980)
"Rebel Yell" by Billy Idol (1983)
"Metal Health" by Quiet Riot (1983)
"Balls to the Wall" by Accept (1983)
"We're Not Gonna Take It" by Twisted Sister (1984)
"Rock You Like a Hurricane" by Scorpions (1984)
January 12, 2020
Early '90s alterna Manic Pixie Dream Girls
In the post below about Manic Pixie Dream Girls being born, appropriately, during the manic phase of the 15-year excitement cycle, there's only one off-hand mention of the type from pop music during the restless warm-up phase of the early '90s (the phase when this type shows up).
It's worth fleshing that out with more examples, though, because at the time and ever since, the focus has been on the hard-edged aggressive women of the early '90s heyday of alternative rock, rather than the traditionally feminine helpers and partners of men. There's also the focus on the irony trend, when there was a notable counter-trend of heart-on-their-sleeve sincerity.
The background for this phenomenon was the vulnerable refractory phase of the late '80s, when soft rock and emo power ballads were the norm, and when there was a widespread fixation on being victimized (most obviously in the "Save the children" movement). During the warm-up phase of the early '90s, people were out of their refractory state, and women had to let men know that, hey, it's OK now, you can come out of your shell and we won't require a schmaltzy prostrating power ballad in order to trust you. We can just mix it up with each other again, and we women are only too eager to nurse you out of your funk if necessary -- how else are we going to connect?
That is the broad role of the Manic Pixie Dream Girl, and in pop music it's a more impressionistic persona that the performers convey, rather than a clearly defined character who plays such a role over the course of a narrative movie. But the basic traits are still all there -- quirky, eccentric, adorkable, directly addressing her male love interest, who may have trouble leaving his emo funk behind, but using her feminine charms and allure to pick up his spirits and get them together as a couple.
Other than that, they come in various flavors. However, all of the female singers below were born in the manic phase of the late '60s, and imprinted on that mood at an early age (as well as imprinting on the next manic phase, the early '80s, when they were 15 and just getting out of puberty). As with the actresses born in the late '60s, these musicians were best suited to playing the role of leading the charge out of the emo phase (the polar opposite of the one they've imprinted on and find most natural).
Many of the other alterna stars were born in the late '60s as well, but I'm leaving aside the hard-edged in-your-face ones (Liz Phair, PJ Harvey, Veruca Salt, etc.). This is only looking at traditionally feminine ones who want to help weary guys come out of their late '80s emo cocoons.
Mazzy Star
Hope Sandoval is not as manic as the others, but no less of a pixie (5'0, size 0). As a waif, seemingly abandoned by her caretakers, she projects an anxious attachment style, but that insecurity does not diminish her eagerness and sincerity to form a deep connection. The anxiety only emphasizes how much she wants a partner, which combined with her petite frame and pouty lips, make her seem like a child who's upset that the immature boys aren't paying attention to her on the playground yet, but she's going to keep on trying until they do.
Guys in a social-emotional refractory state are behaving like prepubescent boys in a way -- "keep those annoying girls away, we don't want to play with them." But men in such a state are doubly wary of leaving their shell because they anticipate the women being in the same "leave me alone" state -- so it falls to the women to send the first signal that the anti-social withdrawn mood is over.
"Blue Flower" and "Fade Into You" (1990, 1993; live '94)
Juliana Hatfield Three
Another waif with an even more childlike voice -- this serves the purpose of not setting off the guy's alarm system. She couldn't be any less threatening -- "Don't worry, I won't bite". Guys coming out of a refractory state need to be approached more gently, so it's not a job for the hard-edged aggressive type of woman. It has to be a disarming pixie.
"Spin the Bottle" (1993)
Bjork
This case is approaching a hybrid of the disarming feminine nurturer and the in-your-face badass chick type of the same era. But she stays just enough on the nurturing side of the line, without it being primarily an aggressive come-on. Pretty sensual though, especially in a live performance -- I never expected her to have such a ripe body, based on the "Human Behavior" video that introduced her to the world.
"Come to Me" (1993; live '94)
Lisa Loeb
Not the purest example of the type -- more of a neurotic overly attached girlfriend, rather than one coaxing you out of your shell to begin with. But that's still the opposite of being refractory and not wanting attachment whatsoever. Plus her image was an eccentric waif, and the video was in constant rotation on MTV. So it's still worth including in this survey.
"Stay (I Missed You)" (1994)
Cub
Just look at how unaffectedly smiley the lead singer is, and remember this is an all-girl early '90s punk-inspired band. Hence the label "cuddlecore". Her warm welcoming vibes are too infectious to resist -- you couldn't possibly want to languish in your goth/emo cocoon any longer, could you, anon?
"New York City" (1994/5?)
It's worth fleshing that out with more examples, though, because at the time and ever since, the focus has been on the hard-edged aggressive women of the early '90s heyday of alternative rock, rather than the traditionally feminine helpers and partners of men. There's also the focus on the irony trend, when there was a notable counter-trend of heart-on-their-sleeve sincerity.
The background for this phenomenon was the vulnerable refractory phase of the late '80s, when soft rock and emo power ballads were the norm, and when there was a widespread fixation on being victimized (most obviously in the "Save the children" movement). During the warm-up phase of the early '90s, people were out of their refractory state, and women had to let men know that, hey, it's OK now, you can come out of your shell and we won't require a schmaltzy prostrating power ballad in order to trust you. We can just mix it up with each other again, and we women are only too eager to nurse you out of your funk if necessary -- how else are we going to connect?
That is the broad role of the Manic Pixie Dream Girl, and in pop music it's a more impressionistic persona that the performers convey, rather than a clearly defined character who plays such a role over the course of a narrative movie. But the basic traits are still all there -- quirky, eccentric, adorkable, directly addressing her male love interest, who may have trouble leaving his emo funk behind, but using her feminine charms and allure to pick up his spirits and get them together as a couple.
Other than that, they come in various flavors. However, all of the female singers below were born in the manic phase of the late '60s, and imprinted on that mood at an early age (as well as imprinting on the next manic phase, the early '80s, when they were 15 and just getting out of puberty). As with the actresses born in the late '60s, these musicians were best suited to playing the role of leading the charge out of the emo phase (the polar opposite of the one they've imprinted on and find most natural).
Many of the other alterna stars were born in the late '60s as well, but I'm leaving aside the hard-edged in-your-face ones (Liz Phair, PJ Harvey, Veruca Salt, etc.). This is only looking at traditionally feminine ones who want to help weary guys come out of their late '80s emo cocoons.
Mazzy Star
Hope Sandoval is not as manic as the others, but no less of a pixie (5'0, size 0). As a waif, seemingly abandoned by her caretakers, she projects an anxious attachment style, but that insecurity does not diminish her eagerness and sincerity to form a deep connection. The anxiety only emphasizes how much she wants a partner, which combined with her petite frame and pouty lips, make her seem like a child who's upset that the immature boys aren't paying attention to her on the playground yet, but she's going to keep on trying until they do.
Guys in a social-emotional refractory state are behaving like prepubescent boys in a way -- "keep those annoying girls away, we don't want to play with them." But men in such a state are doubly wary of leaving their shell because they anticipate the women being in the same "leave me alone" state -- so it falls to the women to send the first signal that the anti-social withdrawn mood is over.
"Blue Flower" and "Fade Into You" (1990, 1993; live '94)
Juliana Hatfield Three
Another waif with an even more childlike voice -- this serves the purpose of not setting off the guy's alarm system. She couldn't be any less threatening -- "Don't worry, I won't bite". Guys coming out of a refractory state need to be approached more gently, so it's not a job for the hard-edged aggressive type of woman. It has to be a disarming pixie.
"Spin the Bottle" (1993)
Bjork
This case is approaching a hybrid of the disarming feminine nurturer and the in-your-face badass chick type of the same era. But she stays just enough on the nurturing side of the line, without it being primarily an aggressive come-on. Pretty sensual though, especially in a live performance -- I never expected her to have such a ripe body, based on the "Human Behavior" video that introduced her to the world.
"Come to Me" (1993; live '94)
Lisa Loeb
Not the purest example of the type -- more of a neurotic overly attached girlfriend, rather than one coaxing you out of your shell to begin with. But that's still the opposite of being refractory and not wanting attachment whatsoever. Plus her image was an eccentric waif, and the video was in constant rotation on MTV. So it's still worth including in this survey.
"Stay (I Missed You)" (1994)
Cub
Just look at how unaffectedly smiley the lead singer is, and remember this is an all-girl early '90s punk-inspired band. Hence the label "cuddlecore". Her warm welcoming vibes are too infectious to resist -- you couldn't possibly want to languish in your goth/emo cocoon any longer, could you, anon?
"New York City" (1994/5?)
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