tag:blogger.com,1999:blog-19346366.post3685416977182152461..comments2024-03-28T21:56:51.675-04:00Comments on Face to Face: Dream pop music's 15-year cycleagnostichttp://www.blogger.com/profile/12967177967469961883noreply@blogger.comBlogger13125tag:blogger.com,1999:blog-19346366.post-17185303762663989902018-11-03T17:26:24.299-04:002018-11-03T17:26:24.299-04:00The author of pop-rock theory seems to have stumbl...The author of pop-rock theory seems to have stumbled on the excitation cycles, but equated rock with vulnerable music and pop with manic music. He says that rock peaked in the early 2000s, as music become more depressing; and pop peaked under the Obama administration, as music became more danceable and boy bands resurfaced.<br /><br />"By the spring of 2002 (12 years after the Depeche Mode riot, 26 years after the breakout of punk, 38 years after the Beatles’ landing in America and 51 years after “Rocket 88”), the Backstreet Boys/’N Sync phenomenon had grown so big that the backlash against them was catastrophic. Happy, optimistic, danceable pop seemed inappropriate in a post-9/11 era. Rock began to once again reassert itself."<br /><br />"Rock fans — people who loved their music loud and aggressive — spent most of the Obama administration wondering what happened. The music softened and everything — including rock — got more poppy. Plaintive singer-songwriters with woe-is-me lyrics were everywhere. Hits came from artists with acoustic guitars, banjos, and even ukuleles. Meanwhile, on the pop side of the equation, boy bands seemed to be coming back."<br /><br />https://globalnews.ca/news/4082568/the-theory-of-the-13-year-rock-vs-pop-cycle-alan-cross/<br /><br />Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-88000242888971094422018-11-01T18:56:44.342-04:002018-11-01T18:56:44.342-04:00There is a theory that "pop" and "r...There is a theory that "pop" and "rock" cycle between ascendant, every 13-15 years.<br /><br />https://globalnews.ca/news/4082568/the-theory-of-the-13-year-rock-vs-pop-cycle-alan-cross/<br /><br />To test this theory, I looked up the Grammy winners for "Record of the Year" during the 90s, 2000s, and 2010s. What I found was that, indeed, it does tend to cycle between "Rock"(rock proper, soft rock, alternative, blues, and country) ; and "pop"(pop, R$B, rap, and dance). <br /><br />In particular, there was a long stretch from 2000-2013 when solely rock-derivative songs were nominated(including soft rock, blues, country, and alternative).<br /><br />2000 - U2 - "Beautiful Day"<br />2001 - U2 - "Walk on"<br />2002 - Norah Jones - "Don't know why"<br />2003 - Coldplay - "Clocks"<br />2004 - Norah Jones - "Here we go again"<br />2005 - Green Day - "Boulevard of Broken Dreams"<br />2006 - Dixie Chicks - "Not Ready to Make Nice"<br />2007 - Amy Winehouse - "Rehab"<br />2008 - Robert Plant - "Please Read the Letter"<br />2009 - Kings of Leon - "Use Somebody"<br />2010 - Lady Antebellum - "Need You Now"<br />2011 - Adele - "Rolling in the Deep"<br />2012 - Gotye - "Somebody That I Used to KnowCurtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-20981918272125179652018-10-20T10:59:34.539-04:002018-10-20T10:59:34.539-04:00What other genres experienced a manic spike in the...What other genres experienced a manic spike in the early 2000s? This way we can pinpoint what demographic/political groups operate on a different energy scale, if its associated with economic class, or whatever.<br /><br />I can remember a rise in popularity of techno music in the early 2000s, though that may have only been lingering effects of the late 90s manic peak. <br /><br />In the past, you've said there was a rise in outgoingness from 2003-2006, which was reflected in certain genres of music, such as indie(The White Stripes), and the comeback of the hip-hop group Outkast. At the same time, you pointed out that it didn't effect mainstream hip-hop. Looking at popular songs of the time, most of the music being made was still crap. Perhaps this rise in crime and outgoingness only effected a smaller portion of people, the same ones who listen to indie music.Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-68655102160789076902018-10-13T19:15:29.301-04:002018-10-13T19:15:29.301-04:00Interestingly, this isn't the first time you n...Interestingly, this isn't the first time you noticed the trend of indie rock and grunge getting angsty just as the mainstream was going through the warmup phase, though before you explained it as a backlash:<br /><br />"Contrary to this main trend of leading a series of warm-up exercises, this third phase also has a distinct trend of tortured and angsty rock music. It's not like the sullen, languishing, numb rock from the refractory period just before -- it's stirring awake, but not wanting to get up yet, and acting all cranky because everyone else is trying to drag you out of bed. Unlike the vulnerable phase where everyone's energy levels are drained, now these people actually could get more active and take part in warm-up exercises for the next manic spike, but they are inveterate downers and are choosing not to. They're consciously trying to hold onto the previous emo period. This gives their tortured downer-ness a deliberate, affected quality."<br /><br />"That would be the more self-conscious and angsty kind of rock from the late 2000s like Fall Out Boy's album Infinity on High, or My Chemical Romance's album The Black Parade. During the early '90s, that would be most grunge and alternative. From the late '70s, "Ballroom Blitz," "Barracuda," "Hotel California," "Because the Night" (covered and charted again in the next restless phase, 1993, by 10,000 Maniacs), and "Bohemian Rhapsody" (re-released to chart again in the next restless phase, 1992). "Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-30087444092132652712018-10-13T10:42:51.043-04:002018-10-13T10:42:51.043-04:00"focuses on the people who stick out for not ..."focuses on the people who stick out for not doing so"<br /><br />The first scene is of an attractive woman stripping down to her underwear. The exhibitionism is there to titillate. If there really was some moral message about toning things down, then they wouldn't have any exhibitionism - which is more common for videos during the vulnerable period.<br /><br />" the lyrics are about feeling left out"<br /><br />Pay more attention to the tone, rather than the plot or content. The lyrics assure the audience that everything is fine, and nothing bad will happen. In the vulnerable stage, people have a victim mentality; whereas this song exhorts the listener to be more optimistic and not self-pitying.<br /><br />Compare it to the recent hit, "Cool Kids", by Echosmith. "Cool Kids" is also about being left out, but has a much more self-pitying, self-reflective tone.<br /><br />https://www.youtube.com/watch?v=SSCzDykng4g<br /><br /><br />As to why the video has the two main characters dressed, while everyone else is in their underwear... I believe this is more a metaphor to show that the song is targeted towards those not as socially advanced as their peers, but to reassure them that its no big deal.<br /> Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-51405751984017427972018-10-13T00:01:07.356-04:002018-10-13T00:01:07.356-04:00The video features exhibitionism, but it focuses o...The video features exhibitionism, but it focuses on the people who stick out for not doing so, and the lyrics are about feeling left out.TGGPhttps://www.blogger.com/profile/11017651009634767649noreply@blogger.comtag:blogger.com,1999:blog-19346366.post-20486360171065380792018-10-12T14:11:00.939-04:002018-10-12T14:11:00.939-04:00Another example of the lag between the indie scene...Another example of the lag between the indie scene and the mainstream is Jimmy Eat World's hit "The Middle", released in 2001. The song has a manic, invincible vibe, and the music video features exhibitionism (partygoers stripping down to their underwear). For most of the public, the early 2000s were a period of vulnerability.<br /><br />https://www.youtube.com/watch?v=oKsxPW6i3pM&start_radio=1&list=RDoKsxPW6i3pM&t=0Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-43923942314165466082018-10-07T17:13:27.328-04:002018-10-07T17:13:27.328-04:00I just heard this come on:
https://www.youtube.com...I just heard this come on:<br />https://www.youtube.com/watch?v=XQqrTB0nWak<br />and thought "Great Northern, they must be named after the hotel from Twin Peaks". A bit more noisy and drum-centric than most dream pop though. The album is from 2009, so you'd categorize it as part of the vulnerable phase of indie music. The lyrics warn about being part of large groups of people and advocate going it alone.TGGPhttps://www.blogger.com/profile/11017651009634767649noreply@blogger.comtag:blogger.com,1999:blog-19346366.post-58549204005108927822018-10-03T18:40:28.977-04:002018-10-03T18:40:28.977-04:00In 1996, Local H had a big hit with "Born to ...In 1996, Local H had a big hit with "Born to be Down" - a numb, depressed song. Would this be categorized as refractory, or is the level of anger more warmup/manic?:<br /><br />https://www.youtube.com/watch?v=E2Oe5YKhzCE<br /><br />Intensity of negative emotions may have more to do with equality/inequality - music becoming more intensely sad, angry, etc. into the 90s and 2000s. <br /><br />Interesting that indie music lags behind when it comes to the zeitgeist. Not sure what's going on there - if this is a reflection of class difference, with the upper middle class existing in a zeitgeist sphere apart form the lower classes, or if its just that the indie subculture is isolated.Curtisnoreply@blogger.comtag:blogger.com,1999:blog-19346366.post-74150177833982316702018-10-03T13:48:57.940-04:002018-10-03T13:48:57.940-04:00Sincerity vs. irony marks the different phases too...Sincerity vs. irony marks the different phases too, even Millennials who are supposed to be so saturated with irony, nihilism, and snark.<br /><br />Everyone in Alvvays is a Millennial, ditto most of their audience, yet listen to how pure that song's emotion is.<br /><br />Same was true for the Gen X-ers who led indie's previous excited phase of the early 2000s. It was as if the postmodern ironic Nineties never happened.<br /><br />Or the late '80s peak of earnest, heart-on-its-sleeve indie / college rock / modern rock. That was by and for late Boomers, who came of age more during the disco and punk era -- nihilistic, decadent, etc.<br /><br />Since irony, meta-, self-aware, snarky-ness is mostly driven by the indie / alternative crowd, its presence largely tracks their excitement cycle.<br /><br />Peak irony during their refractory phase (restless warm-up phase for the mainstream) -- late '70s, early '90s, late 2000s. Starting to wear off but still plenty of residue during their restless warm-up phase (manic phase for the mainstream) -- early '80s, late '90s, early 2010s. Completely gone, overflowing with sincerity during their own manic phase (vulnerable phase for the mainstream) -- early '70s, late '80s, early 2000s, late 2010s.agnostichttps://www.blogger.com/profile/12967177967469961883noreply@blogger.comtag:blogger.com,1999:blog-19346366.post-85269066094910547232018-10-03T13:29:59.164-04:002018-10-03T13:29:59.164-04:00To round out the description of indie's cycle,...To round out the description of indie's cycle, their vulnerable phase is during the mainstream's restless warm-up phase -- the late 2000s, early '90s, and late '70s. That's emo, grunge / shoegaze (downer type), and punk.<br /><br />The mood is more numb, nihilistic, or angsty. Nothing hopeful, uplifting, bouncy, yearning, or tugging at the heart-strings. It's not triumphant or invincible either -- but angrily defeated. It's socially over-sensitive, or over-stimulated -- wanting everyone to leave them alone and stay away. The opposite of their excited phase just before, when they were as extraverted as indie people can manage.agnostichttps://www.blogger.com/profile/12967177967469961883noreply@blogger.comtag:blogger.com,1999:blog-19346366.post-14568735247282136202018-10-03T13:18:06.499-04:002018-10-03T13:18:06.499-04:00That's detached and downcast, like much of the...That's detached and downcast, like much of the early 2010s entries from lists of the history of dream pop / shoegaze.<br /><br />At least it has that drum beat to wake things up, but that places it in the returning-to-neutral phase. Not totally melancholy and drowsy as in its refractory phase, but not as bouncy and hopeful as in its excited phase.<br /><br />It sounds more like Bauhaus, early Cure, and similar post-punk groups from the early '80s -- another period that was manic for the mainstream, but just stirring awake for the indie / alternative world.<br /><br />It took until the second half of the '80s for the alt groups to kick into high gear -- Sisters of Mercy, Love and Rockets, peak Cure, Jesus and Mary Chain, and so on and so forth.<br /><br />They couldn't go off into their excitation phase in the first half of the '80s because that's when the mainstream was all excited -- and heaven forbid the indie crowd feel the same mood at the same time as the normies.agnostichttps://www.blogger.com/profile/12967177967469961883noreply@blogger.comtag:blogger.com,1999:blog-19346366.post-77538147434100234722018-10-02T20:06:55.125-04:002018-10-02T20:06:55.125-04:00https://youtu.be/kPshx-3AFKohttps://youtu.be/kPshx-3AFKoModernDimensionshttps://www.blogger.com/profile/07477268679635114803noreply@blogger.com